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Truc-Troc 報道、1975-1976年
シャトー・マルーで開催された最初の2回のTruc-Troc展に捧げられた報道記事。
1975年 - 「奇妙な仕掛け... Truc... Troc... 現物で支払います！」
In 1975, a press article (unreferenced newspaper) presented the Truc-Troc run for two and a half months by the Château Malou artwork lending gallery: an art "exchange" from which any financial transaction was excluded. "All you need is imagination... lots of imagination... and that should be enough to become the owner of these works." Each visitor proposed an exchange to the artist, who accepted or not.
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1975年 - 「200人の若いベルギー人画家がキャンバスを交換する準備ができている」
In June 1975, an unreferenced newspaper announced the event in a large illustrated article: "From 14 June to 30 August, we shall return to the age of barter at Château Malou in Woluwe-Saint-Lambert: two hundred young Belgian painters will exchange their canvases for any object. From the old oil lamp to the superb villa."
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1975年 - 「シャトー・マロウ: 物を絵画と交換する」
In June 1975, an unreferenced newspaper devoted a small illustrated item to the nascent Truc-Troc: "If you give up... for lack of means, on acquiring a work of modern painting, try calling in at the Truc-Troc, which has just opened at Château Malou in Woluwe and will run for several weeks."
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1975 - 「シャトー・マルーでの絵画的なTruc-Troc」
In June 1975, ahead of the exhibition's opening, the "Arts, Sciences et Lettres" section of an unreferenced newspaper announced the event: "Truc-Troc... what is it? It will be a vast gathering of the best young contemporary artists."
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1975 - 「シャトー・マルーにて: Truc-Trocの成功」
A clipping hand-dated 30 June 1975 (unreferenced newspaper): "As we recently announced, the Woluwe-Saint-Lambert artwork lending gallery is organising until 30 August an artistic event revolving around the personality of 200 contemporary Belgian artists: the Truc-Troc."
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1975 - 「Truc-Trocを楽しんでください」: あなたの「がらくた」と引き換えにオリジナルの芸術作品を
A June 1975 clipping (unreferenced newspaper): "In these rotten times, who knows what to invent to keep business going. For several months now, Woluwe-Saint-Lambert has launched the good idea of renting out works of art." The article first recalls the lending gallery's principle: for a few hundred francs, anyone can hang an original print, a lithograph or even an oil painting at home, the rent being deducted from the price if the work is bought.
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1975年 - 「シャトー・マロウで、世界初のTruc-Troc」
Press clipping from 1975 by Claude Muyls: "Au Château Malou - Le Truc-Troc - En première mondiale". The article presents the operation launched by the artwork lending gallery and stresses how unprecedented it was.
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1975年 - スペシャル: 「Japan for a nude」
Spécial, 11th year, no. 545, 10 September 1975, page 41, "Sales" section: "Japan for a nude". The magazine devotes a report to the first Truc-Troc at Château Malou, presented as "a certain ingenious provocation".
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1975 - 編集者への特別書簡: 「それは知的だ」
In September 1975, the letters pages of Spécial magazine published the reaction of Mrs N. Delépine, from Brussels, to the article "Japan for a nude": "I was very surprised, and pleasantly so, to discover that from time to time Belgium does have imagination. The Château Malou initiative - the Truc-Troc - is much more than original: it is intelligent."
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1975 - 「Le Truc-Troc」: 良いアイデアには良いタイトルを
"A good title for a good idea. Two hundred artists bring their works of art and wait to see what you will offer them in exchange: tinned food, a second-hand car, a dress, potatoes, heaven knows what... Paying this way or another... it is in any case original and entertaining."
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1976 - 「Echos de partout」: 交換される200点の芸術作品
For the second edition of the Truc-Troc in 1976, a box in the "Echos de partout" column announced: "For the second time, the Château Malou artwork lending gallery is launching its great 'Truc-Troc' operation, which this year brings together sixty artists and some 200 rigorously selected paintings and sculptures."
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1976 - 「Truc-Troc」がシャトー・マルーにて10月27日まで開催
In 1976, a press brief (unreferenced newspaper) announced the second edition: "For the second time, the Château Malou artwork lending gallery has just launched its 'Truc-Troc' operation, which this year brings together sixty artists and some 200 rigorously selected paintings and sculptures... These works can be exchanged for the most heterogeneous objects, with the artists' agreement."
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