Jean Mahy
カールの祖父 · 考古学者および美術史家 · RTBFの「Monsieur Randonnée」
シャーリーン・マヒーの父。訓練を受けた考古学者で美術史家、生業としては工具輸出業者、天職としてはベルギーの測量士。RTBFは彼を「Monsieur Randonnée」に変え、『Sous les pavés, la plage』で誰も彼以前には見たことのないルートへと視聴者を導くガイドとした。「彼は二つの帽子を持っている、一つは輸出用、もう一つは散策用だ」とPourquoi Pas ?は1979年に書いた。

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カリキュラム
The key dates of Jean Mahy's journey, year by year.
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靴底に風を宿す男
"An odd fellow, there is no other word. This teenager in his sixties has wind in his soles." That is how Pourquoi Pas ? introduced Jean Mahy in September 1979, on the eve of his first RTBF broadcasts. For years he had been walking the country's thirty thousand square kilometres, discovering everything others had passed by without seeing.
2 文書 · チャプターを開く
North Cape, August 1952: The Travel Notebook
A school copybook, eighteen pages in pen, and ten days on the road: from 1 to 10 August 1952, Jean Mahy drove alone from Brussels up towards the North Cape, through Holland, a Germany still in ruins, Denmark, southern Sweden, Lapland, Finland and finally Norway.
チャプターを開くRTBF、『Sous les pavés... la plage』
The archive films of the RTBF (Studio 4) series in which Jean Mahy, "Monsieur Randonnée", took viewers along the routes he had drawn up. Copies kept in the family archives.
チャプターを開くRTBF、『Les chemins racontent』
The archive films of the second RTBF (Studio 4) series devoted to Jean Mahy's walks. Copies kept in the family archives.
チャプターを開く黒、赤、緑: その方法
The bohemian was a stickler for order. He filed, sorted, annotated maps, built up dossiers, expanded his documentation. His method came down to five steps he never departed from: plotting the route on the map, reading the encyclopaedic literature, listing the monuments and sites along the way, scouting on the ground with a recorder, then writing up the notes.
チャプターを開くMonsieur Randonnée、ラジオ、そしてテレビへ
As early as 1975 he was recounting his walks in the Pays des Collines and the Payottenland on "Point de mire", Gérard Valet's programme. Pierre De Greef turned this into a radio series following in Monsieur Randonnée's footsteps, whose success led to the idea of continuing on television.
チャプターを開く彼が伝えたもの
There is what is handed down through papers, and what is handed down without anyone noticing. Among the Mahys as among the De Rijcks, two generations later, the same gestures recur: go and see for yourself, take notes, sort, keep.
チャプターを開くプレス
この肖像画およびCarlの家族遺産に関する報道記事。
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